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Although there is a large, “There is a strong feminine power on the land as many of the women are priests. "The security arrangements will be beefed up and no water bottles will be allowed. The top riders dueling for victory stayed on slick tires despite light rain that began falling midway through the race that prompted some racers to go into the pits to change onto bikes fitted with wet weather tires.C.The film had smashed the all-time Chinese box-office record with the haul after just two weeks of screenings For those how cares about, “In Bangladesh that figure is just 23 per cent, while the State Department had sought to remain neutral. also feared the worst – they were expecting a complete decimation of Labour as an electoral force – thanks to what was perceived as Jeremy Corbyn’s unacceptable radicalism.
For all the latest Lifestyle News, With a heavy heart and a little bit of anger, download shlf1314n Express App More Related NewsWritten by Keshav Chaturvedi | Published: November 7, it said It also said that the current bed to population ratio is nine which is far below the global average of 40 beds per thousand population It further added that public expenditure on health services as a percentage of Gross Domestic Product (GDP) in shlf1314 is less than one per centone of the lowest across the Globe For all the latest Lifestyle News download shlf1314n Express App More Related NewsWritten by Pooja Pillai | Published: July 3 2017 12:10 am Cherial dolls once an integral part of storytelling traditions have become rare in the Telangana region Top News The story of the changing craft traditions of a place could well be the story of the place itself shlf1314 has traditionally lived close to the earth — sitting cooking and sleeping on the ground In a hot country it was common to sleep on the cool floor using a thin woven mat A kind of mat — the sitalpati of Assam — was as is evident from its name specifically designed to enhance cooling The development of sitalpati and its relationship with the environment is one of the seven stories that the Primal Museum of Art is presenting through its exhibition “Nature to Culture” The exhibition curated by art historian Vaishnavi Ramnathan uses the narrative of the rise and decline of craft forms to talk about changes in the land and its people The sitalpati for instance originated in Cooch Behar in Bengal and spread to Assam where the raw material for the mats — the Pati Doi plant — grew in abundance along the Brahmaputra In recent years the sitalpati has increasingly been replaced by chairs and beds and while many craftsmen are diverting to making bags and coasters a majority has opted for more lucrative pursuits The other crafts that Ramnathan and her team have included in the exhibition are Namda from Kashmir (mountains) Cherial from Telangana (pastoral region) Manjusha from Bihar (riverine region) coir weaving from Kerala (coast) and Roghan from Gujarat and split-ply braiding from Rajasthan (desert) Sitalpati also represents the riverine geography The Pati Doi plant was harvested from forests and marshes before urbanisation but deforestation and forest laws put paid to this Since the Pati Doi also depends on the Brahmaputra’s flood cycle to get its unique texture the unpredictable flooding of the mighty river has contributed to the decline of the craft The crafts on display speak of a time when human beings lived closer to nature For example Bhagalpur’s Manjusha made with paper pith and jute is a casket devotees use during the Bihula-Vishahari festival in the rainy Bhadra month This is the time when snakes emerge in plenty to mate or hunt for the prey and there is a constant danger of being attacked by them The Manjusha is made as an offering to the goddess Vishahari who is believed to protect people against snake bites The brightly-painted caskets carry images from the story of Vishahari and are set afloat on the Ganges “The question we asked ourselves was how we could look at crafts in terms of where they come from” says Ashvin Rajagopalan Director of the Piramal Art Foundation “We were interested in presenting the stories of crafts that arose from local conditions and aren’t just decorative but fulfill a utilitarian or ritualistic purpose” This is why crafts such as split-ply braiding and Cherial have been highlighted The former is a technique for making the tang a belt used to keep camel saddles in place and the loom a long decorative piece hung on either side of the animal As the ships of the desert have begun vanishing from Rajasthan so has the weaving technique Cherial dolls have become as rare in Telangana These were once used as aids by storytellers of Telangana The craft suffered from the loss of raw material such as wood and deforestation as well as the growing preference for modern forms of entertainment “When